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Rob Ostermaier / Daily Press
Steve Earley / The Virginian-Pilot
John Sudbrink/Freelance
Daniel Linhart / Daily Press
Steve Earley / The Virginian-Pilot
Aileen Devlin / Daily Press
John Sudbrink/Freelance
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
Daniel Linhart / Daily Press
Aileen Devlin / Daily Press
Steve Earley / The Virginian-Pilot
Daniel Linhart / Daily Press
John Sudbrink / Daily Press
Aileen Devlin / Daily Press
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
Rob Ostermaier / Daily Press
Steve Earley / The Virginian-Pilot
Jonathon Gruenke / Daily Press
Rob Ostermaier / Daily Press
Daniel Linhart / Daily Press
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
John Sudbrink / Daily Press
John Sudbrink / Daily Press
Steve Earley / The Virginian-Pilot
Aileen Devlin / Daily Press
Aileen Devlin / Daily Press
Daniel Linhart / Daily Press
Jonathon Gruenke / Daily Press
Aileen Devlin / Daily Press
Daniel Linhart / Daily Press
Jonathon Gruenke / Daily Press
Daniel Linhart / Daily Press
Jonathon Gruenke / Daily Press
Aileen Devlin / Daily Press
Daniel Linhart / Daily Press
Jonathon Gruenke / Daily Press
Daniel Linhart / Daily Press
Rob Ostermaier / Daily Press
John Sudbrink/Freelance
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
Daniel Linhart / Daily Press
Steve Earley / The Virginian-Pilot
Steve Earley / The Virginian-Pilot
Jonathon Gruenke / Daily Press
Aileen Devlin / Daily Press
Daniel Linhart / Daily Press
Rob Ostermaier / Daily Press
Jonathon Gruenke / Daily Press
Jonathon Gruenke / Daily Press
Daniel Linhart / Daily Press
Rob Ostermaier / Daily Press
Daniel Linhart / Daily Press
Steve Earley / The Virginian-Pilot
Jonathon Gruenke / Daily Press
Daniel Linhart / Daily Press
Daniel Linhart / Daily Press
Daniel Linhart / Daily Press
John Sudbrink / Daily Press
Rob Ostermaier / Daily Press
Jonathon Gruenke / Daily Press
Daniel Linhart / Daily Press
Daniel Linhart / Daily Press
Aileen Devlin / Daily Press
Rob Ostermaier / Daily Press
Daniel Linhart / Daily Press
Jonathon Gruenke / Daily Press
John Sudbrink / Daily Press
Rob Ostermaier / Daily Press
Jonathon Gruenke / Daily Press
Daniel Linhart / Daily Press
Daniel Linhart / Daily Press
Aileen Devlin / Daily Press
John Sudbrink / Daily Press
Daniel Linhart / Daily Press
Aileen Devlin / Daily Press
Jonathon Gruenke / Daily Press
Rob Ostermaier / Daily Press
Before the bells rang, performers drummed and danced, and speakers fired up the crowd at the 1619 commemoration events Aug. 25, Healing Day began with the unveiling of a painting depicting Anthony, Isabella and William Tucker, believed to be the first family that formed of the Africans brought to English-speaking North America in 1619.
It was a quieter moment in the full weekend — just artist Sonja Griffin Evans describing the inspiration behind her work, titled “The First Family,” in the Fort Monroe Theatre.
Griffin Evans, who’s based in South Carolina, said her art depicts culture, history and people, so when she was in Virginia a year ago and learned of the first family, she was overwhelmed. “I knew I had to create a piece for them,” she said.
The painting shows Anthony with Isabella, who is carrying a baby William Tucker, the first child of African descent to have his birth recorded in English North America. They’re standing on a beach with a ship in the distance, posing like any other family would for a portrait. There are no shackles or chains or other signs of bondage.
Griffin Evans emphasizes whenever she discusses her work that she is not depicting slaves.
“My ancestors were not slaves. They were agricultural engineers and masterful craftsmen who were enslaved because of their intelligence,” she said.
The painting contains symbols such as a white lion in the folds of William Tucker’s blanket to evoke the name of the ship that brought the first “20 and odd” Africans to Virginia. Cowrie shells adorn Isabella’s hair, showing she maintains her self-worth, Griffin Evans said, and Anthony holds a bunch of sassafras, long used for its healing and soothing capabilities.
Griffin Evans did not meet the Tucker family of Hampton before she created the painting, but she channeled their story as she depicted their claimed ancestors. When she paints, Griffin Evans said she feels as if the subjects are behind her shoulder, guiding her hand and eye.
The Tucker family and others hosted a commemorative event at its graveyard, one of the oldest black cemeteries in Hampton, Aug. 23. Some have suggested William Tucker is buried there in an unmarked plot.
Carolita Jones Cope, a member of the Tucker family, said she was honored by Griffin Evans’ tribute and appreciated the details that showed an empowered Anthony and Isabella. She also loved their soft expressions as they looked down upon their baby.
Jones Cope said she’s seen depictions of the baby William Tucker, so she was glad this work put faces to the names Anthony and Isabella and depicted them as a family who loved each other amid a terrible situation.
The painting is currently with Griffin Evans, and she will travel to show it at various locations. Her hope is that it will find a home in Hampton.
“That’s where it belongs,” she said.
To see the painting or purchase a print, visit sonjagriffinevans.com.